Check out 17 bands of today below that you may not know are actually one-man bands. Instead, they’re usually accompanied by touring band members or live looping tools to perform their sets. However, because of the music’s intricate layers, it’s extremely difficult for one-man bands to replicate their music by themselves in live situations. Although this technique is more apparent in electronic genres such as techno and house, where performers might only need to know how to play the keyboard, drum machine or sampler, rock and R&B performers such as Stevie Wonder, Prince, Lenny Kravitz, Paul McCartney, Dave Grohl, Nine Inch nails and more have made records in which they play every instrument. The con: it’s extremely rare for a single person to possess the musical skill set of an entire band. The pro is that it’s an accurate, genuine reflection of the artist’s vision and ability. AAI3395681.These one-man bands are artists who play every instrument on a recorded song one at a time, then blend the individual stems together in a multitrack studio. Journalism|Multimedia Communications|Mass communications Recommended Citationīock, Mary Angela, "One man band: The process and product of video journalism" (2009). Citizen journalists, with the fewest exhibition constraints, are creating the most varied styles of filmic narrative. Newspaper video journalists are developing a distinct narrative style. Finally, the project also addressed the question of whether video journalism presents new forms of narrative structure and strategies for establishing authority by comparing a strategic sample of stories the project identified several strands of change that vary according to the contexts of their production. In the domain that describes the relationship between VJs and image managers, the project identified contexts in which the process of video journalism can change the nature of their interaction. The project found differences in the way video journalism's processes are adopted according to the medium on which an organization bases its activities. In the newsgathering domain, the project found a strong, positive relationship between the demands of an exhibiting format and the degree to which a VJ pre-conceptualizes a story. The findings are organized according to three domains of news work: at news events, within news organizations and in the source journalist relationship. Several VJ stories are included in the corpus for analysis of their narrative structure. Additionally, the data set includes long-form interviews with 80 photo and video journalists, newsroom managers, public relations intermediaries, citizen journalists and reporters archival texts and examples of filmic news. The author also observed journalists on location at several news events in the United States and England. Data was collected from field observations in the United States and England at television stations, a radio network, newspapers and a community-based media workshop. The project describes where and how video journalism practices affect the news gathering processes and its resulting stories within three contexts of production: conventional television news, newspapers and non-professional citizen collectives. The impetus for video journalism's development is both economic and technological. Video journalism is the practice of video news production whereby one person works alone to shoot, write and edit news stories, using digital technology, to be disseminated via broadcasting or broadband interne. This dissertation examines the practice and product of video journalism. Mary Angela Bock, University of Pennsylvania One man band: The process and product of video journalism
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |